“Pergolesi’s La Serva Padrona with Magnificat “...soprano Jennifer Ellis offered excellent singing and a satisfying degree of comic flare… Ellis expressed Serpina’s edgy energy and changeable mood with an uninhibited, colorful singing style…with sweet lyricism in the seductive aria…””

“Carissimi- Vanity of Vanities with Magnificat “Then Jennifer Ellis tore into a long solo, ”Suonerà l'ultima tromba” (The last trumpet shall sound) — the opening salvo in sounding the concert's theme of Vanity. In a striking, trumpet-like sound, she sang of the certainty of death and its terrors. Then, in a whole new voice, she sang that we are dust and ashes, and life is short. She sang dreamily of dreams, speakingly of the voices of the dead, traversing her whole range from high to low as she came back to "morte." Carissimi's music is stunning, and Ellis's performance of it was the high point of the concert — rich in dramatic feeling, virtuosity, word painting, vocal coloring and dynamic changes. “”

“Rovetta's Magnificat, Magnificat “Another standout was the Magnificat Sopranos Catherine Webster and Jennifer Ellis are a great team, masters of florid singing, so flawless in intonation that dissonant cadences have great expressive power. Ellis especially is a dynamo of energy and potent sound.”” - Anna Carol Dudley

“Symphoniae Sacrae, Schütz, Magnificat “Soprano Jennifer Ellis gave a moving reading of this emotional piece... Ellis’ superior expression and beautiful tone in this passage brought tears to the eyes.”” - Rebekah Ahrendt